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Art of Living Journal Musings Nature

Glint

I just finished reading Barry Lopez’s “Resistence”. After I read it I lay in bed as the sun arced past the window, weeping for a long time and yet feeling fierce, too. The questions the book asks threatened to split the fragile veneer of calm that I’ve fitted myself into over the last few years so as to survive this spell in Tokyo without going mad. And it is a form of madness, isn’t it, to hate the place you live, to sit days on end behind the window without ever talking to a friend, or to have lost the joy that once filled me every day in making food or singing songs? I want so desperately to step out of this costume I’ve fitted myself into and not be afraid to run naked and free. I’ve never done well with walls around me and yet, in spite of the turmoil inside, here I am.

Lopez’s collection of short fictional stories highlights defining moments in the separate lives of a group of people who are bound by a need to define their worlds in new ways. In many respects it is Lopez’s battle cry against the shape that society and our behavior towards the natural world has been taking. His lessons are quiet and inward, a plea that we begin to explore our inner landscape and seek value in our participation in the world. His premise, based on Navajo spirituality, that before everything the world is beautiful and we should be learning to fit ourselves into what already exists rather than throw ourselves at redemption, runs through all the stories. Lopez manages to put a face on the ambiguous yearning of those who try to define the value of nature and beauty, amorphous ideals so disparaged by those in love with civilization’s progress.

I’ve been reading a lot of books and websites about seeking an alternative way of living to what the whole world seems to bent on following (“Radical Simplicity” by Dan Price, “The Seventh Cross” by Anna Seghers, “Guns, Germs, and Steel” by Jared Diamond, to name a few…). I guess all my life something beyond the fray has been calling me and that is one reason why I have never been able to quite fit in anywhere, among any group of people. Recently, though, say in the last five years, the sense of, as Lopez describes in his book, “the premonition of disaster” has grown disproportionate to my own need for belonging, and I feel myself on the verge of making a drastic, and most-likely very unconventional change. I need to act before what is swelling inside me turns violent in some form or other.

Recently Andy of Older and Growing and I have been discussing what it means to live an authentic life and how one might go about achieving it. Both of us harbor an almost desperate compunction to reconcile our biological existence with the physical world around us and a mythical comprehension of what it means to be alive. We sense the possibility of such a way of life, but cannot see it around us, except in our jaunts to the mountains.

It just cannot be that the complexity and depth of our minds and hearts stop at the producing and acquiring of possessions. If I recall all the most lasting and joyful moments in my life they almost never involve things at the center of those moments. Even in work and health frugality has nearly always helped to keep things running smoothly. And mentally, freedom from the tyranny of possession has always allowed my mind less pull in too many directions.

At the end of the book, the character Eric Rutterman declares, “It is good to be fully alive.” I certainly don’t feel this at the moment. But it’s where I’ve been struggling to head toward. I hope the steps I am taking this year will help get me there. One part, I hope, will be in the new focus on the redesigned blog, soon to be up.

Categories
Art & Design Art of Living Musings

Tracks

Wall of Clouds
Wall of clouds to the south, Shizuoka, Japan, 1995

It’s one of those momentous times in life when all the strings of the doily of life converge. Big decisions have to be made, whether I want to or not, and while I stand here in the clearing all the snow around looks fresh and untouched. Whichever way I go there will be new tracks. I love being the one to stamp into the new snow, but all the same it’s not a little scary. And not without its sorrow.

Since I was a boy beyond memory two main themes always reiterated themselves into the architecture of my thoughts and feelings: nature and art. The earliest light of my consciousness recurs with images of leaves and insects and the smell of soil. Most of my happiest memories occurred in places surrounded by trees or hills or living things. The sounds of wind and water infused the music in my mind, like a green concert hall, the orchestra still warming up. Whenever I wavered, when the fragility and uncertainty and cruelty of human interaction shook my connection to this ephemeral and ever-changing boat that I call myself I could always step outside and go for a walk. There was a reciprocative duality there that felt like one; the world and me. There was never any doubt in it.

Art has always done the same for me. Writing and books; painting and drawing; photography; singing, writing lyrics, playing guitar and violin, and listening to all the world’s musicians, from crickets to Peter Gabriel and Kiri Te Kanawa; movies and animation; cooking; gardening; pottery; architecture and interior design… Somehow all these activities defined the passage of time and effort for me.

Merely acting out the steps necessary for survival, without appreciation for the merit in every aspect of the things around you or of what you actually do, never seemed to quite fulfill the promise of waking each morning. People who tell me they get bored confound me… how can you get bored if you have imagination? Isn’t it the mind that defines the color of perception? And isn’t that just what art is, the painting in of the details? Art, for me, polishes the roughness in the old block. It is with imagination that you learn to see and by seeing you unfurl the wings within your daily grind.

I have the opportunity to once and for all combine the these two guides to my life. To not shunt onto another track out of self-doubt and fear. Writing, drawing, photography, wildlife, conservation, a lifestyle as close to nature as I can hope to make it. But I’m not sure how to go about doing it. Do I stay here in Japan? Try Australia or New Zealand? Go back to Europe? Or the States or Canada? Do I teach? Do I go back to university (perhaps to study biogeography or wildlife management or some such)?

The first step has already been taken. I finished writing a book two years ago, but it has yet to find a publisher. It was the first major accomplishment of the promises I made to myself when I was younger: to live according to the right vibrations.

A lot of this seems shrouded in clouds these days; I am not as sure of who I am as I was long ago, but I know what I miss most, and missing something that you love for too long requires the sacrifices and determination of a lover. And I want to be a lover of life.