Categories
Hiking Japan: Living Journal Shizuoka Ultralight Backpacking Walking

Pouring Rain

Takazasu Hill

I stood at the entrance to the train station staring out at the weather. The town dropped down into the grey swirl of low clouds and seemed to hold tight against the wash of cold rain. Streams ran along the street and what few people had left the warmth of their homes hunched their jackets against the chill, trotting along the sidewalks to reach the station and get out of the wetness. The freezing wind howled at the opening to the station and buffeted me, urging me back inside. None of the mountains in the distance allowed themselves to be seen and I was sorely tempted to just turn around and head right back into the heated compartment of the train. The prospect of even one night holed up in a drafty tarptent, alone in the dark of the night time winter woods while the rain pounded away all around me just wasn’t my idea of a good time. I kept remembering waking up in the puffy comfort of my bed before dawn and lying there shaking my head at the strange things that I do for kicks. Who in their right mind wakes up during the hours of the dead to go walking on some windblown ridge?

My pack was light, the lightest I’ve ever gotten it for a several-day winter hike with camping, lighter even than the pack I used in the summer Alps last year. I worried that maybe it was too light, that I might spend the night shivering while snow came drifting down to laugh at me. But I’d checked and re-checked everything to make sure I had gotten it right and, in my head at least, I knew that I should be fine. But as these things always go, it’s one thing to theorize about something, quite another to actually get out there and raise your glass to the elements and make a toast. Weather has an upsetting habit of not respecting theories. Or toasts, for that matter.

Takazasu Tree

I spied the blond-haired adventurer deep in consultation with the local tourist information center lady. I knew he was an adventurer because he wore nothing but running shoes, a pair of navy blue training pants, a navy blue wind shirt and on his back a tiny backpack. Only adventurers challenge such winter weather with nothing by a thin film of nylon. He leaned over the tourist information center counter for an inordinately long time, so long I began to wonder if he was able to speak Japanese. The lady behind the counter seemed a bit piqued as she attempted to make head or tails of what he was saying. When they both looked stumped I stepped up and asked if they needed any help.

“Yes, that would really save me!” exclaimed the adventurer in a heavy French accent. “Hi my name is Eric!”

“Miguel.”

“I’m from Canada and this is my third day here. Three times I’ve tried to climb Mt. Fuji, but no luck.”

“Climb Mt. Fuji?” I stared at his outfit, from head to toe. “In winter?”

“Yes. It rained the first two days and I had to turn back. Yesterday I made it to 3,130 meters, but the snow got up to my chest and I couldn’t go any further. A Norwegian guy ahead of me was able to continue on. I only have a week left in Japan and I’m determined to climb Mt. Fuji before I leave.”

Unidentified Sitting Moth

“Not to doubt your determination, Eric, but are you sure you are prepared for Mt. Fuji? It’s a very dangerous mountain in winter if you don’t know what you are doing or have the right equipment. Every year people die on it in the winter. It’s extremely cold up there, plus some people have to worry about altitude sickness at that elevation.”

Eric hugged his chest and shivered in the wind as raindrops dripped off his chin. “It’s really okay! I’m from Quebec, I’m used to the cold!”

Concerned, I indicated his clothes. “Are you climbing in those clothes?”

“Yes! I work for UPS! You like the pants?” He laughed. “I need to buy some boots before I try Fuji again. You know where I can buy some cheap boots?”

We spoke a while about prospects for a sports shop in this area. I used to live near here and knew of nothing that might get him better geared up. Eric’s shivering got worse, so I showed him into the heated waiting room inside the station. I always wonder what to do in a situation when I meet someone about to head into a dangerous situation, but who doesn’t really understand what they are getting themselves into. I don’t want to push my worries on them, but also don’t want them to do something they will regret. While we spoke a local elderly man came up to us and asked me where we were going. I pointed out into the rain, at where the West Tanzawa range was supposed to be looming. Eric hit his chest with a big smile, “Mt. Fuji!”

The man glanced out in the direction of the mountains where I was planning to go and shook his head. “All those mountains look the same after a while. Pretty boring, don’t you think?” He turned to Eric and grinned. “Fuji! Really! I used to take care of one of the mountain huts at the ninth station. Mt. Fuji, eh? In winter! You have to be careful!”

Eric hit his chest again. “Don’t worry! I’m fine! I’m from Quebec!”

“What did he say?” asked the old man.

Fuji Bright

I missed my bus while talking to the two Fuji aficionados. While they attempted to communicate with one another about Fuji conditions I went to check on the weather again. A lightness had made its way into the grey billows of the clouds and it looked as if at least the rain might let up a little. Eric had decided to head back 400 kilometers west to Osaka for the night and would attempt Mt. Fuji again the next day if the weather improved. Since he was taking the bus over the pass where I hoped to start my walk I decided to join him and talk a bit more. It was good to have company before heading out into the cold. At the very least I hoped to spark at least a bit of curiosity in Eric over my own adventure. Nothing doing; Fuji was imprinted in his Quebecois mind.

Eric had never in his life climbed a mountain before. “You said you’ve been to Montreal, yes?” he asked.

“Yes.”

“What is the highest land form you saw there?”

“Er, Mount Royal?”

“That’s right! No mountains! I never even saw a mountain before I came to Japan!” He laughed contentedly to himself, as if that was sufficient explanation for his attempting Mt. Fuji.

“We Quebecois are really tough! Much tougher than those slouches from Montreal! When we were fighting against the British it was the Montrealers who surrendered, but not us! We stuck it out to the end!” He grinned at me and snorted. “So you see, that’s why I came to Japan, the land of the samurai!” He folded his arms and laughed effortlessly.

From Takazasu

We parted at the junction between Lake Yamanaka and Kagosaka Pass. The rain had stopped and already signs of the sun had broken through the clouds. The west foothills of the Tanzawa range rose to the east, heading up into the still watery grey clouds.

“You’re a good luck charm, Eric,” I told him. “I wish you good luck on Mt. Fuji. Please do be careful and don’t take the mountain lightly.”

He waved from the bus, still smiling. “Don’t worry about me. I’m…”

“I know. You’re from Quebec!”

“That’s right! Don’t forget it!”

The bus pulled away and I was alone again with the weather. I started walking. With each step the clouds opened a bit more and by the early afternoon I had taken off my rain jacket and was sweating in spring sunshine. Lake Yamanaka dropped away behind me and the sky stepped back to welcome me into the folds of the ridges.

The One Nishi Tanzawa
Categories
Hiking Japan: Living Journal Nagano People Walking

Summer Walks Part 3- So September Blue

Houhou cloudwalk

View of the Shirane-Three Peaks, with Mt. Kitadake, the second highest mountain in Japan, off to the right side. Here Mt. Noutori rises above the clouds. The valleys hid in shadow below, while the world above basked in late summer sunlight.

Conversations heard along the trail.

“Where did that dog come from?”

“What dog?”

“The one standing there on the trail, looking down at us.”

“Wow. How’d he manage to get down those rock faces? We had to use chains!”

“And he’s just standing there, politely waiting for us to pass. A mountain dog with good manners!”

“Looks like he’s just out for an afternoon stroll. I wonder if he’s going or coming?”

“Coming, I guess. If you were from around here and knew this killer trail, would you be starting up right now?”

“He probably thinks we’re a little daft.”

“No doubt. Do you think that’s a smile on his face?”

“Look, I think he wants to pass now. I guess all this babbling has ruined his solitude.”

“Best let him pass then.”

“There he goes, as if it’s the most natural thing in the world.”

Mt. Kannon

Looking back over the ridge toward Mt. Kannon. The whole array of peaks in the Houou Three Peaks range pay tribute to Buddhist luminaries, like the bodhisattvas Kannon and Jizo. Everywhere you walk tiny shrines and offerings to statuettes concentrate the presence of walkers’ involvement with the place. One ridge, where numerous walkers have died, shelters a group of jizo statues in memory of the walkers’ spirits. An almost eerie sense of others watching pervades the whole mountain range.

“I did not say that I didn’t want to wait for you, or that…!”

“You always have to show how tough and manly you are! Why can’t you just slow down?”

“I am slowing down. I’m trying to match your pace…”

“What, so you think I can’t climb this trail? You think I’m too weak to handle it?”

“I didn’t say that. I just don’t like falling behind and having to walk right behind some stranger in front of me.”

“Oh, so you think everyone here is too slow? FIne! I’ll just pick up my pace and make sure to be better than everyone else! See you later!”

“Hey, don’t do that. Come on. Where you going? Oh, come on. Don’t be silly…”

Houhou Fuji Man

Like a dark queen Mt. Fuji rises to the southeast. Though the deity that lives in the volcano is considered male in Japan, Mt. Fuji has always seemed like a female monarch to me. In the over thirty five years I have seen her, including five years living right at her base, where she surveyed me below in my apartment window, she has never revealed herself the same way twice. Dark and fiery red on summer days, wreathed in clouds in autumn, even gliding ghostly white on moonlit nights, she sits aloof and alone in her vast throne between the surrounding, more timid mountains.

“Are you all right?”

“I feel sick. I think I pushed myself too hard.”

“Here. Try some water. It might make you feel a little better.”

“I wasn’t trying to slow you down.”

“I know.”

“I’ve only been in the mountains once this year.”

“I know.”

“I slept badly all night.”

“I know.”

“That climb was really hard !”

“You can say that again! It was so steep and slippery I couldn’t even stand still to take a break!”

“I still haven’t forgiven you yet.”

“I know.”

Houhou Shy Fuji BW

The last peak before Houou descends into the valley. Seemingly from the top of every creeping pine, windblown larch, and outcropping, nutcrackers called and winged amidst the drifting clouds. Called “hoshi-garasu” (star crow) in Japanese, their spangled breasts flashed white as they whisked by.

“Would you like another chicken dumpling?”

“No thanks. It’s too hot to eat chicken.”

“Really? It goes well with the pork broth rice balls. Follow it with some salt-pickled celery. Nice and crunchy!”

“I don’t see how you can stuff yourself like that in this heat. You’re like a drunk salaryman.”

“Better grab some while they’re still available. This walking does wonders for the appetite. Sure you don’t want some? They’re remarkably good. I thought they were your favorite?”

“You’re unbelievable. You’ve begun savoring convenience store food. All discrimination right out the window.”

“In the mountains everything tastes good. Sure you don’t want one? Last one!”

Houhou Skycrags

Stunted yellow birch hold on tight to the rocks to survive the relentless winds. The rock garden above Kannon Peak Mountain Hut seemed like something out of a surreal painting, the colors and forms so intense and twisted.”

“The woods smell nice.”

“Balsam fir. I got some of the sap on my fingers. Here, take a whiff.”

“I like just lying here under the trees. I could lie here all day.”

“Too bad we have to get back to work tomorrow.”

“My legs feel like rubber bands. Don’t think I can take another step.”

“We have some time. Let’s just close our eyes and forget about the time for a short while.”

“Shhh. Listen. The wind rustling the leaves.”

Larch woods appearing out of a lifting mist, along the steep trail out of Gozaishi Kousen.

“That sign said forty minutes till the end!”

“How many minutes has it been?”

“One hour and thirty minutes.”

“Perhaps the sign was meant for faster walkers.”

Houhou Surreal

“This ice cream really hits the spot! I think it’s the best ice cream cone I’ve ever had!”

“Do you think we have time for a hot spring bath? I could really use a bath right now.”

“The bus comes in twenty minutes. I don’t think so.”

“Hope the other bus passengers will survive my influence! I don’t have a change of clothes.”

“Well, you might knock them all unconscious, so probably you don’t have to worry about their reactions… Ow! That hurt!”

“Serves you right! Hey, can I take a bite of your ice cream? I’m already finished with mine.”

Fuji Puff

Categories
Hiking Japan: Living Japan: Photos Journal Shizuoka Walking

Wild Walking in a Wild, Wild Wind

The wind is blowing again today and I suspect that the mountain I meandered over last weekend is sitting hunkered down again, its back braced against the fury of Mt. Fuji looming just a hop over to the west. Mount Mikuni, more of an undulating hump than a real crag, sits right on the eastern knee of Japan’s most massive mountain. Some time ago in the mists of prehistory Mt. Fuji had one of her 150 year tantrums and vomited a slurry of volcanic ash and tuff, creating a huge black and crimson skirt in which she sat primly guarding the rising of the sun. Mt. Mikuni was created out of her agitation and fidgeting, part of a series of wrinkles in the drape of her skirts. When you walk Mikuni it is like crunching through burnt granola, the soles of your shoes grinding the granules as if waiting to be scooped up with a spoon. And when I walked last weekend the leeward sides of hummocks and trees clung to the remaining snow drifts that churned underfoot like cold milk. All the while the crew cut beech and myrtle forest bowed under the onslaught of a wind that roared and shuddered overhead, at times booming so loud I couldn’t hear my voice as I shouted cautions to my partner. It was a frigid wind, hurling straight from the ivory lips of Fuji, indifferent to the tiny lives moving among the rocks.

And a moving, almost achingly beautiful, in a grey sort of way, encounter with a lone forest. I loved how small and insignificant I felt. At the end of the day it was as if my soul had been swept clean.

Kagosaka Cemetery
Somewhat ominous cemetery at the start of the trail…

Kagosaka Cemetery detail
… but with a tender bent.

Sika deer antler base
Base of a Sika deer’s antler.

Mikuni beech trail
Halfway along the trail.

Upturned beech
Upturned beech. The layer of soil is so thin that tree roots barely find purchase.

Upturned beech roots detail

Mikuni ice debris 1

Mikuni ice debris 2

Forest debris
Not sure what this seed pod is. Anyone know? Everything in the area was covered in moss.

Log fungus
Fungus on a log.

Myoin peak 1
The forest opened up to this vista. The last part of the walk wandered down a vast grassy slope looking upon Mt. Fuji and a wind-harried, slate-colored Yamanaka Lake.

Myoin peak 2

Mt. Fuji and Yamanaka-ko
View of Mt. Fuji and Yamanaka Lake.

Mt. Fuji and Yamanaka-ko from road

Mt. Fuji under the weather
Mt. Fuji Under the Weather

Categories
Japan: Society Journal Musings Society

Chivalry On Cherry Blossoms

Odell Lake
Morning after a blizzard, Odell Lake, Oregon, 1984.

Spent the afternoon watching The Last Samurai yesterday. When I first saw the preview for it last summer, I groaned, “Oh God, no, not another epic movie about some white guy becoming a downtrodden and less enlightened people’s icon, who saves them for their own good!” After hearing good reviews about it from the Japanese press, though, and getting some thumbs up from a few of my students, I decided to give it a try.

I stumbled back to the train station afterwards, roiling with conflicting feelings and with a lot of questions and reactions.

It is a beautiful movie, that much must be said. The grand vistas of the mountains, the rural scenes, the replica of the port town, even the fencing sequences and moments in the temples were exquisitely and accurately done. The movie gave quite a sense of what life must have been like right at the beginning of the Meiji Era, the last days of the samurai.

And some of the acting was unforgettable. Ken Watanabe, I think, stole the show with his powerful portrayal of a warrior lord, and Koyuki (which means “Little Snow”) left the whole theater of Japanese moviegoers weeping behind their handkerchiefs with her dignified and subtle portrayal of a woman whose husband is killed by Tom Cruise’s character. Even Tom Cruise does a good job both in portraying the true awkwardness of a foreigner attempting to speak Japanese and in learning the moves of Japanese society. I liked some of the contrasts that were sensitively incorporated, showing how differently Japanese and Americans think.

Perhaps because I’ve lived here in Japan all my life and traveled throughout the country, including more walks in the mountains than I can remember, I also noticed a lot of glaring problems. First, the landscape. One quick glance at the mountains and I knew immediately that it wasn’t Japan )most of the film was filmed in New Zealand). Japan’s slopes are steeper and come together, usually, with more angles. The flat bottomed valley of the rural village was too flatly abrupt, with few of the village houses nested on the steep hillsides, as would be characteristic of Japanese mountain villages. The vegetation on the mountainsides was all wrong… a pallor of green that doesn’t exist in Japan, where it tends to be much more emerald in quality, due to the warmer climate here. The way the soil clodded up wasn’t characteristic of Japan. The presence of palm trees and giant ferns, on both the slopes and in the forests, gave away New Zealand’s identity… in the area where this story takes place there wouldn’t have been any palm trees or giant ferns lurking in the backgrounds of the battle scenes. And worst of all was the supposed form of Mt. Fuji, which has a huge crater in the side facing the ocean approach to the port town and which would not have appeared so large in the sky from what I suppose was supposed to be Edo (the old name of Tokyo). Mt. Fuji is 150 kilometers away from Tokyo. For me, but probably not for most people, the whole movie environment felt wrong, not Japanese.

Because a lot of the behavior of the Japanese characters was closely discussed with the Japanese actors, the feel of their gestures, voices, pronunciation, and dialogue, felt very natural. The interaction between the Japanese characters worked, too, unlike in such movies as “The Bridge Over the River Kwai” (a Japanese general in real life would never have given in the way the general did in the movie) or “Black Rain”. However, there were moments when things just didn’t come across as authentic. When Tom Cruise’s character leans over to hug Koyuki’s character’s boy, there is no surprise on the part of any of the Japanese. But this would have been scandalous behavior, especially for a man to show to a samurai boy… the boy would have been shocked, as would the onlooking man in the garden, and certainly Koyuki’s character would have stopped dead in her tracks. Such behavior between men and their children is still not often practiced even today, let alone back in the period of this movie. And I had trouble with Ken Watanabe’s last scene when he ends by speaking to Tom Cruise in English. For someone trying to hold on with his last breath to all aspects of his culture, it seemed peculiarly uncharacteristic of him to resort to English.

In spite of these faults, the story was well-written and the transformation of Tom Cruise’s character quite believable. The gentleness and devotion of the movie to the human heart left me quite deeply moved by end of the show.

What disturbed me in profound ways, however, were the images and emotional reactions I had to the battle scenes: I couldn’t stop thinking about Bush and America’s Year of War last year. The more I watched those hundreds of soldiers falling in the movie, the more angry I became and the more uncontrollably grief stricken at the thought of all that has been forced on all of us over the last two and a half years. War, war, war, war, war! I was just totally exhausted with thinking about it and at times in the movie I could barely keep my eyes upon the scenes so close to weeping I was. It finally all came cascading out in that one, brief view of the entire battlefield with all those thousands of dead. One more crack of a gun. One more horse gutted. One more young man shot to pieces… I wanted to stand up in the theater, raise my fists, and shout my fury at Bush.

Instead I just sat and watched, looking for the entertainment value.

Fine movie that it was, it ignores the truth of the samurai: that they were very often brutal oppressors and caused untold hardship for the majority of the Japanese people who mostly lived on farms and were not allowed to carry weapons. All the glory of samurai chivalry is all very nice, but what was depicted is not an accurate picture of Japan’s history… which has always been fraught with bloody wars. The Meiji Restoration did a lot more good than bad for Japanese culture and people live a lot more at peace these days than back then. I can’t imagine very many Japanese would want to go back to those “good ole days”.

But still, the movie’s call for people of different cultures to hold on to who they are is an important one. It can certainly provide reflection to people around the world today who are beleaguered by American’s push to render all lands and people in their image. Fingerprints be damned! Brazil has the right attitude. Let Americans be fingerprinted all around the world in retaliation. They deserve just as much humiliation as anyone else, no?

I’m not sure The Last Samurai taught me anything at all about Japan. It just seemed a reiteration of what I already knew and a refute of what the West thinks it knows about Asia. But worth a looksee.

Categories
Far and Wide Japan: Photos Photos

Fuji Awakening

Lavender Fuji lg
Mt. Fuji at dawn seen from the peak of Kitadake, the second highest peak in Japan, in the South Japan Alps, 1984

Taken in the summer of 1984, the first time I climbed Kitadake (North Peak), the second highest mountain in Japan. I was clambering down the south slope of the mountain after a dawn ascent of the summit when I came across this classic view of Mt. Fuji floating serenely to the east above a lavender sea of clouds.