Categories
Journal Music Musings

Slow Songs

Long antenna moth
Unidentified species of moth with long wispy antennae that sweep back as the creature slowly flies about the chest high riverside grasses near my home.

Lately I’ve been listening to Jack Johnson’s new album In Between Dreams and finding the simplicity of the instrumentation and focus on lyrics bringing back my old love for singing along with the music that I love. The album reminds me of a statement made to travel writer Brian Schwartz in his book World of Villages by an Efe friend (incorrectly known as a Pygmy) who asked why Schwartz didn’t know how to play an instrument and, after Schwartz replied that back home he had professional musicians who did the playing for him, stared at him in surprise. “Where’s the fun in that?” the Efe asked. “Music ought to be sung and played and danced to by everyone involved.”

I used to spend hours every day strumming my guitar and singing and writing songs. It came naturally to me, especially the lyrics; somehow the melodies bloomed in my head and the words, unlike with poetry, popped out seemingly as if by the touch of God. I could lose myself in the creation of the songs and emerge at the end of the day, surprised that darkness had fallen and that I had forgotten to eat. Sometimes some of my college friends and I would sit on the roof of my apartment in Eugene, Oregon. U.S.A., improvising as we laid down chords and combinations, playing and laughing, and making up words till well into the evenings. I even played in an Irish pub here in Tokyo for a while, crooning about life and the laughter and joy I saw around me.

The music has died since then, in great part because so much of life in Japan revolves around ready-made packages, including music. No one my age plays their instruments any more. When I even suggest to those who admit to still fiddling with their guitars and pianos that we try playing a gig on a street corner somewhere they look at me in horror. “What if the police come?” they ask. That, of course, kills the joy in singing for the love of singing. And that is what Japan is like, the regulation like some metallic killjoy terrified of spontaneity and unbridled elation.

Jack Johnson even dresses the way I do, the way I love most: t-shirt, shorts, sandals, hair buzz cut. Sitting with friends in the backyard enjoying one anothers’ company, the words in the songs about living simply and focusing on the little things in life and appreciating them. When a friend handed me the album to borrow and I popped it into my computer at home, it was like rediscovering my old Oregon friends. I especially like his song “Breakdown” about wishing the train he was on would break down so he could take the time to look around him. So poignant the truth of slowing down, at times painfully reminding me of how far I’ve ventured from my own determination to live without rushing.

One song caught me by surprise, “Good People”. I had just returned from a particularly rough passage on the evening train, packed to the gills with late night commuters. Perhaps it was the electricity in the air from the storm outside, but a nasty mood seemed to infiltrate the crowd. I had been standing near the door. At my station I was about to step out of the train when behind me some sweating businessman who couldn’t wait for those ahead of him to negotiate the human bodies attempted to muscle me out of the way. When I resisted he placed his hand on my face and shoved me to the side, making me trip and fall onto the platform. I was so incensed that I raised my fist to punch him, but caught myself just in time. Fuming I shuffled home, mumbling obscenities about Japanese men (who have an obnoxious tendency to flaunt bravado and what they call male “puraido”… “pride”) and feeling my emotions suffocate me. I clicked the “play” button in iTunes on my Mac and let Jack Johnson’s music wipe the slate clean.

When “Good People” came on, I got to wondering. Just why is it that so much of the popular culture around the world seems to focus on being “bad” and sullen and miserly and fast and rebellious, with brows beetled and shouting and bad-mouthing everything and everyone? You watch television, as Jack Johnson alludes to, and there is nothing nice there. So much of it is selfish and hysterical and indifferent. This week there was “Ally McBeal”, “Outer Limits”, “Angel”, “Andromeda”, “The Simpsons”, CNN News, and even an Animal Planet documentary in which the announcer described a male lion as “sexist” and a cow elephant as “the fairer sex”, and, though I like some of the shows, all of them full of facetious and self-absorbed people whom I would never want to get to know in real life. The only recent program I’ve seen lately that I enjoy has been “Oz”, with its honest language and willingness to look at uncomfortable and unconventional views of men.

Music seems to be much the same. If you switch on MTV so much there is of young men and women emulating the wealthy lifestyle, with little deeper thought on anything. Some of it is pure fun, of course, but the focus is still on going it fast and often advocating anger as the solution to injustice and pain. A lot of this grows naturally out of the rebellion of the 60’s, but surely there ought to be a counterbalance with going slow and taking the road of quiet, reflection, and placation?

I love the quiet and gentle view of songs such as Jack Johnson’s. With such a view each day can roll on in and the peculiarities and hold ups absorbed in stride. I just like nice, laughing people. I like a merry soul and people who are generous with their time and belongings. I like singing for singing’s sake. Songs that celebrate the value of moments.

Pardon me now as I tune out, close my eyes, bob my head, and sing along to “Never Know”…

Categories
Art of Living Journal Simplicity

Poverty Speaks

Ose Shrine
Small shrine at the base of an ancient, black pine tree at Ose Point, Izu Peninsula, Shizuoka, Japan 1994.

For years now there has existed a kind of silent clawing at the air in my breast, the kind that led Henry Thoreau to remark upon when he penned the words, “The mass of men lead lives of quiet desperation.”, in his most famous book, “Walden”. Over and over again I have read Thoreau’s careful remonstrations, spellbound by the sheer music of his wisdom and consistency of his insight (his book “Civil Disobedience” was the manifesto that both Gandhi and Martin Luther King. jr. turned to when formulating their ideas on peacefully opposing injustice), and I vowed early on in my life that I would not allow myself to fall into the trap of missing the rough hand of the real world, the natural world, upon my soul. I sought hard for the subjects that would pave the path I took, reading the literature and taking on the experiences that culled understanding, until I was whittled into the kind of life that fit me, with the wind and trees, earth and sky weathering my face to the point where my body was indistinguishable from the place that I inhabited.

But it seems I’ve been spirited away into another world, a world where the potential that sleeps within me must needs be drugged and cannot waken. Here I am living in the heart of the biggest city in the world, far, far away from hills that I dreamed of roaming, where dew clung to my hair and wool sweater, the gentlest whisper of my breath hung in the dawn light. That is where I always imagined moving within, but somehow I ended up here. The daily fare is of thundering trains carrying hoards of people stuffed between doors, of bread and bananas and pale meat wrapped in crinkling plastic, of rivers stinking of sewage and crows tearing up bags of refuse, of weekend after weekend finding myself, as if lead along by shifting, magic trails, back downtown amidst the concrete, over and over again heading through the same stores, buying the same, heartless magazines and clothes, reacting to people who all look the same, wearing their ties and latest fashions all picked up (not even harvested) from the same, lurking stores, no one daring to cast them off, of cars and cars and cars and cars, of electrical towers strung from house to house, of deserted streets as houses glow, unmoving, at midnight while the moon and the stars wheel unnoticed over the rooftops, of flickering, blue television light, transfixing me and the ones I love so that we sit unmoving beside one another, of distances stretched to breaking with houses and buildings and dams and levees and water towers and roads, roads, roads and bridges and factories and stadiums and wharves and warehouses and shopping centers and shopping centers and shopping centers and shopping centers and shopping centers, until the eye runs out of green to imagine, and no life exists but our own, and our own lives seem to exist only in the reflection in the windows of the trains at night, when hope passes through the darkness like street lights swooping past.

People seem to yearn for some measure of wealth pocketed in the clink of coins and slip of paper bills. They grin when their fingers close upon these symbolic messengers, their brains aglow with images of shiny objects, very much like the trinkets jackdaws and pack rats collect, big houses, fancy cars, exquisitely tailored suits, rare wines, and dazzling jewelry, shining fantasies made real at the expense of others and seeming the cul-de-sac of life’s endeavors, the very reason for being. It’s what seems to run the whole human world and charge up the great engine, so all-consuming and undeniable that even mountains disappear in the great, gawping maw, landscapes replaced by subdivisions and calculated risks. This is called wealth, called “reality”, called “the bottom line”. A cathedral of soaring desires, the very roof a crystalline structure built of vapor and mirrors, fantasy embodied in acquired tastes.

But I have never really wanted these things, from the earliest moments when the light in my eyes became more than just random events, and took on the complexity and dance and method that the natural world always exudes. I will walk into a desert and become awestruck by life, as I kneel down on the cracked soil and perceive the lizards or cacti or scorpions or toads holding on to tenuous moments. There is nothing really so desolate or abandoned as waste anywhere in the natural world, even the slopes of a black volcano, steaming, running with hot lava. I have never felt desolation in a wild place as I have in such burnt out districts as Brooklyn or the wharves of Tokyo at night or the gouged out bleakness of the empty crags around the Ashio copper strip mine, north of Tokyo, that, although closed down over one hundred fifty years ago, still evokes some ancient memory of what Hell must look like.

I am not a rich man. I have a few luxuries, such as a computer, a television, and a digital camera, but for the most part my life hasn’t been a preoccupation with acquiring a lot of things and thirsting after a big house or expensive car. Rather, what has always filled me with unending joy and a huge sense of well-being have been things like a great place to walk, or the sight of gnats dancing in a shaft of sunlight on a winter’s day or that wonderful feeling after a hard climb when your lungs settle down, the sweat cools, and for a moment you can rest and gaze over the valley below. As long as I am not too hungry or thirsty, I am dry and warm, and perhaps a friend or two to keep me company, what more have I ever needed? The time to appreciate living on this planet, to learn how it operates and moves, to listen to my own heart beating itself. When I think of the times I’ve been happiest in my life always, always it has been not when finding something new to stuff into my pocket, but when I felt as if I was owned by the world itself, an inseparable jigsaw piece in the joy of something hugely, but comfortably, greater than I am, when I had nothing to say because everything was as it should be. My wealth comes in sunlight and rain, in the taste of a handful of mountain spring water, in finding a lucky space to shelter in the rain, in the company of a fellow walker or watcher who can nod to me without a word because we both understand the pregnancy of the moment, in the flag of white breath on a frosty morning, in the ache of muscles as I knead some dough, in the silent steamroller of dawn approaching, in a cup of tea, in setting a butterfly free, or in singing as I stride along a ridge. These are my measurements of wealth, what I will most miss when I must finally turn away and die.

And I miss these things now, with all my heart, with all my soul. I miss loving a place, having it draw me until I belong to it. I miss the sense of responsibility for my surroundings and for those people who inhabit the place with me. I miss what it really means to be human and alive and free. My heart aches with loss and emptiness. This is poverty, the path that leads to despair. This is where I never thought I would be.

I’ve started to take steps to haul myself out of the pit. It begins with a shedding of skin and unnecessary baggage. It begins with remembering what is important. It begins with taking a deep breath, holding it, and letting go.

Categories
Art of Living Books Journal Musings Simplicity

Body and Soul

Shetlands Puffin Peeking
Puffin peering from the edge of a cliff, the Shetland Islands, Great Britain, 1995.

In the midst of reading her book, The Making of the Representative for Planet 8, the fourth in her “Space Series”, Doris Lessing talks in depth about the relationship of the impermanence of the world with the concept of self. Two of her characters go through two long soliloquies as they attempt to come to terms with the knowledge that they will become extinct. Three concepts emerge: dreams are collective, the body is but an ephemeral container, and the self is but a manifestation of other selves that came before. I’ve been reading the book on my commutes to and from work, while sitting with a wall of bodies lined up right at my knees, individuals each, but one person little differentiated from the next. The book and all these people often left me sitting with my eyes closed, trying to pull aside the veil that hides comprehension.

It is true what Lessing says, each morning I wake to the conviction, “Here I am. This is me.” And yet each day my experiences tell me that this is not really how things are. This determination to define “me” in the context of the world around always flutters out into disappointment when I realize that I am not really so important in the scheme of things after all. We cry when something dear to us dies or we lose something that we value. And yet eventually all things die and disappear. We know that. The cake we made rots. The book we read disintegrates. The dog we cherished dies. Even the mountain we roved in a reverie crumbles into dust. It is the way of the world and we are all an intimate part of it.

But it seems we spend most of our time denying it and resisting the going.

Perhaps it has something to do with getting older, and realizing that this body that I’ve inhabited all these years is steadily letting go, that eventually it will give and wink out. More and more I’m coming to realize that this youth oriented society that we push so strongly is ill-prepared for the awakening to the ephemeral nature of our lives. We spend so much time buying the make up and working out in the gyms, that we’ve left no space for the habitation of our minds, which must take time to grow into the acceptance of eventually letting go.

I watched a program the other night about a Japanese businessman who gave up his lucrative job as a salesman to live as cheaply as possible and concentrate on taking photographs. He bought a run down old farmhouse just on the outskirts of Tokyo, threw away all modern appliances, learned about how farmers in the poverty stricken days before the war kept themselves warm, cooked, and ate. He adopted the simplest, most technology-independent lifestyle he could find and settled down to enjoy his lifestyle. What he found was that a person barely needs much to live relatively comfortably, and that his time expanded into hours.

“When you’re spending less money and time on the items that are supposed to make your life better, you gain back all that time. And what I’ve found is that there is more space for my mind, now. I hadn’t realized just how gratifying the older lifestyle was. There is something that feels complete in cooking fish over an open fire or putting a vegetable from your garden onto your plate. It is a satisfaction that you just can’t derive from TV or cell phones or computers.”

I am wondering more these days if the richness of close association with the surrounding world that a life of voluntary poverty and simplicity seem to embody actually helps you incorporate the ephemerality of life into your outlook and works in better with the birth and death of your precious self. For it seems to be the clinging to self that most harms the cycle of things.

Would that our societies let go of “prosperity” and learn to transcend the limitations of desire. We could concentrate on our collective dream instead.