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Journal Living Things Musings Nature Outdoors Walking

Standing in the Rain

 

Sasaone Mountain Azalea
Mountain Azalea blooming on the slopes of Sasaone, Oku-Chichibu, Tokyo, Japan, 2000

One thing I’ve been missing is that sense of raw expectation that infuses wild places, that prescience exuding from the interaction between unseen, but watchful presences, where even the wind takes on the personality of a living entity. In the city this only rarely manifests itself and it is a rare gift when it happens.

Lately I’ve taken to running to my sports club and then walking home, both along the banks of the Noh River, which runs northwest and southeast through the western half of Tokyo. Though most of the river has been encased in a concrete cast, earthen banks, resembling European towpaths, run along the sides, with stairs leading down to them for those who want to walk their dog, watch birds, or just go for a run. Hardy grasses, reeds, and scattered trees flourish where the water stills or doesn’t often reach, and among them all sorts of wildlife, mostly birds, carry out their lives. When you walk along the banks, down below the busy passage of the human world above, you get an almost palpable feeling that the awareness of the creatures around you arises out of a connection to a past memory that characterized the whole landscape all around you in years gone by. It is their world you have entered, and with each skittish creature waddling away or bursting into the air you further sense your disengagement from the symbiosis of the organic world.

It was raining when I started home from the sports club the other day. The first rain since the start of winter and a much needed slaking of the soil’s thirst. The workout with weights and the long push with the stairmaster, and afterwards the solitary soak in the great Japanese bath, left my muscles radiating with heat and, in spite of the chill of the wind and the rain, walking along the path stirred up exhilaration. The air smelled green with new leaves and bitter with earth. The wind scythed in the sky, muscling at invisible impedances, bullroaring, knocking, bellowing. Shivers of wavelets raced across the river’s surface, as if invisible wings were darting by.

There is an old cherry tree leaning out across one section of the river and that day its branches carrying the first knots of swelling blossom buds. I stopped and just stood there, letting the rain drop its curtain of silence all around me, while I watched nothing in particular. Some Spot-billed Ducks. a pair of newly arrived Green-Winged Teals, a stately Intermediate Egret, and a self-conscious Great Cormorant splashed in the grey water, each in their own world, watchful. A bare bank of clay, into which a Common Kingfisher, brilliant turquoise in the sun, had burrowed, stood unmoving, no hint of any life.

And that was it. Just me in that place with the wind blowing, rain pattering on my head, and birds minding their own business. No grand adventures or dramatic international crises. Just me and the river. But it was enough… For that small instant I felt connected to everything and whole. Completely empty of myself. It was an echo of the world as it wants to be.

Categories
Japan: Living Journal Nature Tokyo

Wet Reeds

My afternoon run took me along my usual route along the Noh River near my apartment. As I ran atop the walkway that follows both sides of the river, the flattened reeds and rushes that had been standing higher than my head a week ago indicated how high the flood waters had raged through the channel during the deluge last Thusday. I wish I could have made it down to the river that night, wearing the Barbour waxed jacket I bought so many years ago in London, but which has always been too hot or cold for Japan, and gazing at the waters roiling beneath the bridge, while the rain crashed down.

I took the first emergency stairs down to the reedy embankment and ran over the wet grasses. All the flattened reeds lay downriver, in the direction of the flow of water. Dead fish, silvery grey creatures about the length of my index finger, lay scattered about amidst the browning grass stems where they had become trapped.

The tops of my white and grey running shoes dashed through the wet detritus, turning dark grey from soaking up moisture. I could feel the chill of the water soaking through to my socks. And I passed through a series of zones…

First the dead fish zone. Followed by the grey dragonfly zone (Orthtrum triangulare) where they raced a knee level ahead of me, one after another, popping onto grass stems and flying up again at my approach. This was followed by a zone of pigeons feeding along the banks, a whole chortling flock of them, exploding into the air as I pounded by. As I made my u-turn across the river, to run along the embankment on the opposite side and return home, I passed into the silent, elfin zone of dark, victorian-matriarch-like damselflies (Calopteryx atrata) the large kind that beat their black wings like mute, slow-motion helicopters and flash their slim, cobalt blue abdomens between wing beats. They rose up from the path in dark droves, a mysterious flock of insectine birds. And on into the zone of fluttering white cabbage butterflies, dancing around me like tufts of tissue paper. A zone of spot-billed ducks, resting upon the shallow river water in the afternoon breeze. One mother trundled along the bank just by the water’s edge, herding her flock of seven ducklings. The final zone appeared overhead, with the silhouettes of a hundred jungle crows crouching along the telephone lines, keeping watch on the bridge below. Their harsh cries filled the grey air with the same wild abandon as the wind itself.

Of course I didn’t have my camera with me. I never have my camera with me when I see the best pictures. Perhaps that ought to tell me something about awareness and participation.