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Japan: Living Journal Life In Nature Ultralight Backpacking Walking

Walking In The Plum Rain 2

Blue iris
Iris failing in the evening light

The rainy season has opened its wings and descended upon the islands. Most people would gripe about the steamy air, constant overcast days, inability to hang clothes out to dry, and the blooming of white mold all over leather goods, but I’ve always loved this season. The air is cool enough to sleep and, perhaps because of the dampening effect of the sound of rain, somehow people seem more subdued and sleeping comes easier among these crowded apartment buildings. I also love the movement of the sky and the veiling of distances. In the mountains the next bend in the trail loses itself in the mists and trees emerge out of the grayness like watery shadow puppets. Mountain tops hide away in the clouds and only reveal themselves after the proper ablutions, and even then only reluctantly. This is the Plum Rain, when hydrangea bloom and the tree swallows fly low over the fields.

Next week the buses that take walkers to the mountains will finally start running again and the high peaks will call me. I’ve been doing my best to get in shape for this, but insomnia and work getting in the way, I’m not as well-conditioned as I had hoped. So I will have to take it slow and set my sights on the bigger peaks at the second half of the summer. Still, just knowing that the snow has largely passed and I can set foot on my favorite ridges makes the heart beat. All winter I have been preparing my pack for much lighter walks and now I get to try it out and see if I can walk without the pain in my knees over the last few years.

For anyone who doesn’t do much hiking the obsession with getting the weight of a pack down may seem a little kooky, but when you’ve schlepped huge bundles loaded down with every latest gadget up half vertical slopes for ten or eleven hours a day, when the ascent forces you to gasp and the descent brings the weight of the mountain crunching down upon your knees, there comes a time when you have to ask yourself what the whole point of the walk is. I’ve seen young men carry packs almost as tall as they are and their whole walk consisting of placing one foot in front of the other without ever looking up. Once one guy pulled out an entire watermelon and complained of its weight! Another time a father carried the entire selection of equipment for a family of five; while he labored under the load his wife and children loudly complained about how slow he was walking, the wife going so far as to accuse him of bringing them all on this uneventful waste of time…

If only he, and me, earlier, had known of ultralight walking. A craze among backpackers the world over now, when I started out only a few people knew of the exploits and philosophy of Ray Jardin, who is largely credited for starting the whole movement. Basically he suggested ways that people might reevaluate more severely what they put into their packs. He and his wife managed to hike the three most important long-distance trails of America, the Appalachian, the Continental Divide, and the Pacific Crest… known together as the Triple Crown… bearing packs of only 8 pounds each, minus food, water, and fuel. Instead of heavy tents they used tarps. Instead of sleeping bags, they used quilts. Instead of the new-fangled internal frame packs so popular among walkers around the world today, he used a simple, frameless sack. And with weight so reduced he walked in running shoes rather than boots.

Other people have taken his ideas further and even managed to get their base pack weights down to 2.5 kilos (5 pounds), which admittedly is on the fringe of comfort and safety. I haven’t been able to get close to this, but I am still working on it. The freedom of wandering the peaks carrying what you need for safety, but without being bogged down by unneeded equipment is an allure that keeps me giving all my belongings a critical eye.

One thing that trying new methods demands is equipment that perhaps no one has made before. Quite a few ultralight backpackers design and make their own equipment. I’ve taught myself to use the sewing machine and have made a number of tents, tarps, hammocks, bags, and rain gear. My next project will be a lightweight backpack and perhaps a new kind of backpacking umbrella. There is satisfaction in making something yourself and then getting out into the mountain conditions and seeing it actually work. What surprised me was just how simply most commercial products are made and how little technical knowledge you need to produce most products yourself. It’s hard for me now to look at a lot of the clothing made by Patagonia (though I’ve come to appreciate much more the ability to come up with all their ideas) and justify the absurd prices they ask.

There are certain things that I refuse to give up in order to lighten the load. I love photography and drawing and so require a proper camera for control over the kind of photos I want and always carry a sketchbook and art supplies. But I no longer carry a fat novel (though I will bring along a thinner book for longer trips) or a white gas stove or heavy gore-tex rain gear. My tent is a filmy tarp that can configured into a storm-proof shelter and my sleeping bag stuffs down to the size of a small loaf of bread (augmented by my fibrefill jacket when it gets cold). It just feels wonderful when I lift the pack now, everything inside pared down to the essentials.

Going ultralight has affected other aspects of my life. Recently I’ve begun to whittle away all the non-nessential belongings in the apartment. If I can apply the same logic to my lifestyle I figure that I will edge myself closer to what really matters in life, and to come harder up against the real world using more of my wits and ingenuity rather than tools of convenience. The simplicity of the traditional Japanese lifestyle.

And with so much cleared away an unobstructed view out of the window at the Plum Rain, falling amidst the green proliferation and the settled pool in my mind.

Categories
Journal Living Things Musings Nature Outdoors Walking

Standing in the Rain

 

Sasaone Mountain Azalea
Mountain Azalea blooming on the slopes of Sasaone, Oku-Chichibu, Tokyo, Japan, 2000

One thing I’ve been missing is that sense of raw expectation that infuses wild places, that prescience exuding from the interaction between unseen, but watchful presences, where even the wind takes on the personality of a living entity. In the city this only rarely manifests itself and it is a rare gift when it happens.

Lately I’ve taken to running to my sports club and then walking home, both along the banks of the Noh River, which runs northwest and southeast through the western half of Tokyo. Though most of the river has been encased in a concrete cast, earthen banks, resembling European towpaths, run along the sides, with stairs leading down to them for those who want to walk their dog, watch birds, or just go for a run. Hardy grasses, reeds, and scattered trees flourish where the water stills or doesn’t often reach, and among them all sorts of wildlife, mostly birds, carry out their lives. When you walk along the banks, down below the busy passage of the human world above, you get an almost palpable feeling that the awareness of the creatures around you arises out of a connection to a past memory that characterized the whole landscape all around you in years gone by. It is their world you have entered, and with each skittish creature waddling away or bursting into the air you further sense your disengagement from the symbiosis of the organic world.

It was raining when I started home from the sports club the other day. The first rain since the start of winter and a much needed slaking of the soil’s thirst. The workout with weights and the long push with the stairmaster, and afterwards the solitary soak in the great Japanese bath, left my muscles radiating with heat and, in spite of the chill of the wind and the rain, walking along the path stirred up exhilaration. The air smelled green with new leaves and bitter with earth. The wind scythed in the sky, muscling at invisible impedances, bullroaring, knocking, bellowing. Shivers of wavelets raced across the river’s surface, as if invisible wings were darting by.

There is an old cherry tree leaning out across one section of the river and that day its branches carrying the first knots of swelling blossom buds. I stopped and just stood there, letting the rain drop its curtain of silence all around me, while I watched nothing in particular. Some Spot-billed Ducks. a pair of newly arrived Green-Winged Teals, a stately Intermediate Egret, and a self-conscious Great Cormorant splashed in the grey water, each in their own world, watchful. A bare bank of clay, into which a Common Kingfisher, brilliant turquoise in the sun, had burrowed, stood unmoving, no hint of any life.

And that was it. Just me in that place with the wind blowing, rain pattering on my head, and birds minding their own business. No grand adventures or dramatic international crises. Just me and the river. But it was enough… For that small instant I felt connected to everything and whole. Completely empty of myself. It was an echo of the world as it wants to be.

Categories
Journal Living Things Nature

Exhuberance

 

Koi in Nogawa River
Carp in the Nogawa River, Tokyo, in March Carp in the Noh River, March 2004

 

The magnolia outside my window is bursting forth with clouds of white blossums. This is the fourth time to witness the joy of its vitality, though, in typical Japanese gardening mentality, the gardeners have chopped it down to but a fraction of its former glory. It is a pruning philosophy that I can’t understand; most of the time trees in Japanese gardens are so manicured of their natural form and grace that half the year the trees stand around like dejected sticks. A huge zelkova along the way to work, last year towering 30 meters over the corner, with a massive umbrella of swaying leaves, was lopped of all its branches a few days ago, so that now it looks like a naked pair of legs sticking out of the sidewalk. This kind of chopping up occurs all over Japan, and while I appreciate a well done traditional Japanese garden, I also think there is a time and place for the gardening practices to be employed. When you randomly reduce an entire neighborhood to matchsticks, not only do you get a pretty stark looking place, but you rob people and the soil of shade. Tokyo, without all the trees it once had, must surely have heated up quite a bit since neighborhoods went concrete. And besides, I just love the sound of wind in the leaves.

For all that, nature is popping up everywhere. The barrel cactus on my window sill started flowering for the first time since I got it 8 years ago. Twenty buds a’ringing the crown of the bulb. The flower is supposed to turn bright magenta, but perhaps the cactus is testing my ability to appreciate things that cook slowly.

On the trains passengers sit with tears in their eyes and white cotton face masks while suffering under the pall of Japanese cedar and cypress pollen. It sounds like a chorus as one person lets go a volley of sneezes, and is promptly backed up by another person across the car, and repeated further down the train in rapid succession.

Yearly the hay fever epidemic grows worse, all due the thoughtless plans of the government right after the war, when they decided, in an effort to reestablish the country’s lumber sources, to plant the entire country’s denuded hills and mountains with one vast crop of cedar and cypress. No thought was given to the effects this would have on the future, in terms of allergies; loss of topsoil (cedar and cypress, while able to cling to the steep, rocky slopes of Japan, put down shallow roots and fail to hold the soil down), with the resulting landslides, mudslides, and silting up of the rivers; and devastation to the endemic animals and plants. Now, forty years later, the trees have matured, and while most of Japan’s wood is raped from other countries, the cedars and cypress have started to reproduce in one giant, pollen exchanging orgy. When I lived in Shizuoka Prefecture umber clouds of pollen would writhe through the air like swarms of locusts, all being blown, gathering in size as the swarms from other prefectures accumulated, toward the catchall basin of the Kanto Plain, which Tokyo has basically overrun.

My hay fever isn’t so bad, but I know many who hate Spring because of it. What a strange world when all the life around us is hopping for joy at the coming of warm weather and rebirth, while so many of us cover ourselves up in misery.

But I intend to enjoy this Spring. My body agrees. I feel like dancing! Like dashing along the river. Like climbing a tree, or singing at the top of my lungs!

In fact, I think that’s what I’ll go do right now. I’ll leave it to your imagination which one I decide to do!

Categories
Journal Living Things Nature

Winged

Pressure Ice
Pressure ice upon the Charles River, Boston, Massachusetts, U.S.A., 1989.

This is the fifteenth installment of the ongoing Ecotone essay series. This week’s topic is Coming and Going. Please stop by and read the other essays or feel free to contribute your own words.


Downy feathers of snowflakes are falling like lost children from the sky this evening. It is the first snowfall this year. More than likely it is but a whim and the morning will find the earth as bare and dry as weeks gone by. But a lone Tree Sparrow (Passer montanus) sits alone upon a bare branch of the False Acacia outside my window, awaiting the passage of light, hunched into her puff of feathers, her tiny head bare to snowflakes. I sit still, so as not to alarm her, and watch. It seems the moments together are filled with counting, all the way until she flicks her wings and flits away. The branch is left quivering in her sudden absence. And I find myself poised on the edge of my chair, alone in the gathering darkness, the air aswirl with children laughing.

So it is with birds, they come and go. If any creature could embody the movement of wanderlust, or the great rotation of the seasons, it must be birds. It seems that in the Beginning of Time, when some Speaker of Identities was handing out instructions on form and content, birds chose the way of airiness and elegance. To not be grounded, but to solve problems by carving away the extraneous, instead of throwing on more clay. The result was a marriage with the wind and a vision of distances, the planet beneath acting as springboard.

Earthbound that I am, I venture from my dwelling in the last dusting of winter, swiveling my head in lookout for the songs that had left with the dying of last year’s leaves. The voices come back in twos, catching the tops of the trees as buds form, and still tinkling with merriment from the warmer climes, like lovers newly returned from a honeymoon. Three, four, five, the old familiar faces are back, some directly to the memories of a summer gone. For those birds who remained behind, the ones that always shout louder than the others and shoulder through the delicate crowds, the return of the travelers shakes down the house of winter silence, and for a time the air quavers with indignation.

It is the return of the Barn Swallows, though, that barks, for me, of Spring fully arrived. Like liquid thought they barrel down the streets in fierce pleasure of, and concentration upon, clutching past arrival. Close-up their world seems to take on the rush at the terrible edge of a jet plane’s wing. Step back and Swallows love the open air, their wings scything the invisible. Even their eyes seem formed to look into the hard light and further, into the future, where their eggs lie.

Though I can’t understand a word of their language, the fluting and burbling and chittering of Swallow song always seems to speak of adventures and far off fields. It seems to beckon to my heart, just like the bugling of migrating geese, laughing and urging me to get out of this chair and lift my arms…

The brief summer harbors their laughter, has me on my tiptoes after the spell, sniffing out the salt sea or the undiscovered meadow. I would go with them, my mind seems to say, and it is time to prepare my travel bag. But that is the mistake right there. Swallows… all birds actually… have long done away with baggage. Their minds have been gleaned from aestheticism, from a total devotion to the task of flight. True travelers, believing in the brief encounter with all their hearts.

And come the chilly days of autumn I am again left behind, my legs feeling as leaden as tree trunks. The days commute to slumber, losing colors, bearing old grievances.

But my heart does beat more slowly than a bird’s. If I have wing beats, they echo in my footsteps. I may take longer to cross mountains, but the keening is there, to be off. Off and singing.

Categories
Journal Nature

First Spider

A tiny yellow jumping spider huddled on my computer room’s window screen yesterday afternoon, absorbing, as so many creatures are doing these days, the sun. It was the first spider I saw this year (partly because I have barely been out and haven’t been poking my nose amidst the bushes enough), but like every time I witness even such a tiny declaration of existence, the joy of living in a world rich in other lives sings within my breast. It is something I have never been able to fathom: How can humans be content in a world just of their own making? The more this city succumbs to the patina of concrete and human dwellings, the more people’s attentions are diverted to purely artificial fabrications, and the more the ignorance and disgust with other creatures’ presence proliferate, the more we lose contact with what and who we are.

I heard a neighbor gossiping outside my bedroom window earlier today, voicing disgust with the rain shower yesterday. “It was awful! I was hoping to get outside in the evening, but it was like, so awful! I really hate when the weather gets like that!” Of course rain can be miserable, but yesterday evening it was warm and the rain fell as a quiet drizzle for only a short period. Why must that always seem a bad thing? Days illuminated by sunshine, nights showered with rain. The ingredients of bounty and prosperity.